Californication isn’t just Sex and The City for men

Straight and/or superficial men have something to new rave about. Again.
And its not the latest issue of FHM or Maxim.
Nor is it a stolen sex video of a starlet giving the waiter a generous tip.
It’s Californication, a television show that has given the words “boob tube” a more literal interpretation.
The series — featuring the life and times of novelist Hank Moody, played by David Duchovny — offers what appears to be campy soft porn on cable, a gratuitous T&A show that is just a few shots short of an X-rating.
Of course its not for everyone.
Not especially if your idea of entertainment involves a writer who dreams about receiving oral action from a nun, accidentally sleeping with a minor, or having his young daughter stumble upon a naked girlfriend in his bedroom.
All three incidentally take place during the pilot episode, introducing audiences the world over to Moody, who, from all appearances, is a lucky bastard.
He possesses everything any man from eighteen to eighty would presume to want — a lovely, loving wife (Natascha McElhone as Karen), a cute, quirky daughter (Madeleine Martin as Rebecca), and a successful, lucrative career in the arts.
And that’s just for starters, proving once more that television shows are a fantasy and that life is unfair.
But that’s another story.
The novelist, who drives a beat-up black Porsche, also happens to be charming and good-looking, making him popular among women, including those outside his status, age range, income, citizenship, and hell, even religion.
With just a wink and a smile — and sometimes a little less than that — every other hottie (or cougar, as the case may be) drops their panties faster than anyone can say vajayjay.
And that’s when the good parts, voyeuristically speaking, begin.
Moody, the babe magnet, hooks up with Jackie, a stripper and college student, played by Eva Amurri, who is unafraid to show off her upper body advantages.
Same goes for Madeleine Zima.
As Mia, Moody’s ex-wife’s stepdaughter, Zima refuses to be outdone, proving that she is as privileged as anyone else to offer her puppies up for public scrutiny.
In the meantime, Laura Niles, a generously-endowed model, refuses to hold anything back, displaying what may well be an unforgettable performance while in an unconventional three-way with Moody and his agent, Charlie Runkle, played by Evan Handler.
However tittilating, sex alone does not a good show make.

Laura Niles – CalifornicationThe funniest bloopers are right here

Although it deals with the complications of a man who appears to have everything, Californication also offers literary one-upmanship in generous amounts.
The wordplay and the witticisms come quick, fulfilling viewers’ literary expectations since the show, after all, is about a writer.

“At the end of the day, if you can do anything else telemarketing, pharmaceutical sales, or ditch-digging, major league umpire I would suggest you do that because being a writer blows: Its like having homework for the rest of your life,” Moody says, addressing a high school class of would-be writers.

Californication also gives a nod in the direction of Dorothy Parker, by way of recognizing the contributions of Kathleen Turner, who appears in the third season as Runkle’s boss, Sue Collini, who “always gets her wienie.”
After witnessing Runkle enduring Collini’s mocking yet funny tirade, Moody asks him: What fresh hell is this?
Besides being an original gem from writer Dorothy Parker, it is also the same line uttered by Turner more than two decades ago when she played Barbara Rose in War of the Roses.
Turner may have lost some of her looks, but as Collini, she is as spunky as ever, providing an exciting dimension to a show that has pushed the limits of television.
With quirky characters like Collini, partnered with an clever script, Californication is more than just Sex and the City for Men — it is entertainment, however risque, at its finest.
From the Gratitude Dept. Some words of inspiration came from Karl Kaufman. Photo of Laura Niles astride David Duchovny from, which says it was taken by Randy Tepper.

Review of Battlestar Galactica: The Reimagined Series

BSG cast


TAKE a hike, Star Trek.
Or move back to the Delta Quadrant.
Battlestar Galactica is here and by the looks of it, the popularity of the reimagined 70s series is not about to vanish into space anytime soon.
While the Star Trek franchise has entertained more than its usual hardcore fans (i. e. normal human beings), the series failed to sustain its excitement beyond its various forays into the big screen—the latest of which will be shown next year—and the skin-tight uniform of Seven of Nine, the sexiest Borg this side of the Alpha Quadrant.
Despite its drawbacks, Klingon-speaking, sci-fi geeks will never disavow their loyalty to the Federation.
Which is understandable.
Besides occasionally providing humor in space (thanks to Star Trek: Voyager), the series has tackled subjects—the effects of altering the past, among others—no other entity in primetime television has ever done before.
Unfortunately, its pre-eminence in the television universe may soon be eroded by Battlestar Galactica, as reimagined by Ronald D. Moore.
In its three-part, three-hour pilot which aired in 2003, the antiquated battleship led by Commander William “Bill” Adama (Edward James Olmos) is shown being decommissioned.

Minutes before it is formally transformed into a museum, the cylons, a race of biomechanical beings, launch a debilitating attack on the twelve colonies of Kobol, Galactica’s fictional world.
Using heavy weapons and a virus which destroys their networked computer systems, the cylons render Kobol defenseless, nearly wiping out its population.

Galactica and its passengers survive, thanks to the ship’s non-networked computers.
Together with a small group of non-military vessels which escape the invasion, Galactica jumps to another area light years away.

However, the great escape is just prelude to various issues afflicting the survivors of the human race.

Just a few days into space, the leaders of Kobol’s 50,000 survivors face a brewing political conflict, owing to a leadership vacuum.

With most civilian officials dead, citizens and military personnel remain half-hearted about the leadership of Laura Roslin (Mary McDonnell), who before being sworn in as President of the Colonies, was education secretary.

But these concerns take the back seat especially after the fleet is attacked by cylons every 33 minutes for more than ten days.

Unfortunately, not even a severe water shortage—as featured in a later episode—could encourage humans to avoid politicking altogether.

During the last episode of the first season, earlier political tensions culminate into a full-blown mutiny.

Captain Lee Adama (Jamie Bamber), son of the battleship’s commander, points a gun at Saul Tigh (Michael Hogan), the ship’s executive officer and his father’s best friend, to prevent him from arresting President Laura Roslin (Mary McDonnell).
Since Lee fails to stop the arrest—and what he considers to be an imminent military takeover of the fleet’s civilian government—Lee the mutineer joins Roslin the recently-deposed president in the brig.
However, within a few minutes of their jail time, both learn that Bill Adama is shot by a half-human, half-cylon sleeper agent, masquerading as a reconnaissance female pilot.
And while Adama is spilling his guts out on the bridge, the cylons attack the ship and its civilian fleet. Tigh then assumes command, ordering an immediate jump to an area light years away.

However, upon arriving at the pre-arranged coordinates, Galactica discovers that the rest of the ships are gone and with it, the fleet’s only doctor who can fix the commander.
But that’s just the beginning of a series whose episodes and season-enders have always increased and later satisfied viewers’ expectations.

Rarely funny, often dark, but almost always fast-paced, Battlestar Galactica, according to an American entertainment magazine, is not just the best science-fiction show on television, it is the best show, period. Too bad the series ends on its fourth season, which begins next year.


Published in September 2007 issue of Personal Fortune under the title TV sci-fi at its best